What we have made is… it's something like a mutant re-engineering of Kid A and Amnesiac. This ain't ever gonna happen'Īnd the other shoulder sat another saying 'Oh yes. Unreal in every sense of the word, especially within the months of almost total human isolation.Ī small Minotaur sat on one shoulder saying 'This is too mad. Working on something as strange as this over long Zoom calls with a large team of technicians all around the world has been one of the strangest experiences we have ever had. Radiohead: Kid A Mnesia Exhibition is an upside-down digital/analogue universe created from original artwork and recordings to commemorate 21 years of Radiohead’s Kid A and Amnesiac. We worked with Sean Evans, a genius video/computer artist who directed it all with awe inspiring dedication and energy, theatre set designer Christine Jones and the game developers and Arbitrarily Good Productions.Īnd finally persuading Epic Games to help us put it out to the world.Įverything that we built came directly from what we made 20 years ago, in one way or another.Īnd we had all the multitrack recordings from the albums so we were able to rebuild the audio from the original elements in a new controlled space which wasn't just stereo. Radiohead and Epic Games are teaming up for the KID A MNESIA Exhibition, an interactive experience that’s coming on Nov. With Nigel Godrich we have been working on this for about two years, through lockdowns, self-isolations and many very long intermittent Zoom calls. It would be way better if it didn't actually exist.īecause then it didn't have to conform to any normal rules of an exhibition. So we changed location – now it would look as if it had crashed into the side of the Royal Albert Hall.īut Westminster council didn't like the idea one little bit.Īnd then Covid delivered the final annihilation. And then – being constructed from shipping containers – we could ship it around the world… New York, Tokyo, Paris…īut then we couldn't fit it at the Victoria & Albert without parts of the museum building collapsing. This astounding steel carapace would be inserted into the urban fabric of London like an ice pick into Trotsky. It was going to be a huge red construction made by welding shipping containers together, constructed so that it looked as if a brutalist spacecraft had crash-landed into the classical architecture of the Victoria & Albert Museum in Kensington. To start with, when we first started thinking about it, we intended to build a physical exhibition/installation in a central London location. Instead there are intriguing alternate versions (including yet another iteration of Morning Bell, this time a lullaby-like instrumental take), half-finished sketches, the gorgeous string arrangement of How to Disappear Completely in isolation, foreshadowing Jonny Greenwood’s Oscar-nominated score for Phantom Thread – and two previously unreleased songs.To mark a period of 21 years since the expulsion of Kid A and Amnesiac from a converted barn in the Oxfordshire countryside into an unsuspecting world we've built… something. Perhaps unsurprisingly, nothing here eclipses Pyramid Song or Optimistic. The change in direction clearly coincided with a particularly fertile period for the band, because this 20th-anniversary box features a bonus disc of unreleased contemporaneous material together with the two original albums. The broadening of their palette to embrace Warp-influenced electronica, free jazz and krautrock abstractions initially baffled many (the Guardian awarded Kid A two stars, while Melody Maker’s reviewer was reduced to describing it as “post-bollocks”), but get past the glitchiness and the occasional moments of discord, and here were songs as affecting and powerful as those on OK Computer, just framed somewhat differently. R ecorded together but released a year apart, Kid A (2000) and Amnesiac (2001) marked a huge departure from the increasingly baroque guitar-led anthems of Radiohead’s first three albums.
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